Friday, January 9, 2009

Monday, January 12th: John Ashbery Day 2

We last left John Ashbery with a selection of poems from his 1966 collection, Rivers and Mountains, a book we'll return to on our final day with the poet, when we look at his long-form poem, "The Skaters," which is a centerpiece of that volume.

1966 is a transitional year for the New York School. Frank O'Hara, who formed the social center of the group, died in July of that year, leaving a palpable void, and Paul Blackburn started the Poetry Project at St. Mark's Church in the Bowery — two events which would help give rise to a second generation of poets like Ted Berrigan, Anne Waldman, Lewis Warsh, Bernadette Mayer and Ron Padgett.

For Monday, you'll be reading from a trio of books Ashbery published in the 1970s, a decade in which he moved from poetic upstart to an established literary figure. As before, recordings are available for a number of the poems, so be sure to listen along as you read.


from The Double Dream of Spring (1970)
  • Soonest Mended (184) MP3
  • It Was Raining in the Capital (187) MP3
  • Decoy (195)
  • Farm Implements and Rutabagas in a Landscape (206) MP3 (beginning cut off)
  • Parergon (212) MP3


from Self-Portrait in a Convex Mirror (1975)
  • As One Put Drunk into the Packet-Boat (427)
  • Forties Flick (429) MP3
  • Scheherazade (432) MP3
  • Mixed Feelings (455) MP3
  • The One Things That Can Save America (457)


from Houseboat Days (1977)
  • The Other Tradition (491) MP3
  • Pyrography (495) MP3 (ends prematurely)
  • Crazy Weather (503)
  • Wet Casements (508) MP3
  • Daffy Duck in Hollywood (510) MP3 (beginning cut off)
  • Lost and Found and Lost Again (514)
  • And Ut Pictura Poesis Is Her Name (519) MP3
  • What is Poetry (520) MP3


Notes:
  • Farm Implements and Rutabagas in a Landscape: This is one of the better-known examples of the sestina, a form which repeats the end words in its first stanza throughout a number of patterns
  • Pyrography: see also Larry Rivers' portrait of Ashbery which has the same name, and incorporates the opening lines of the poem

  • Daffy Duck in Hollywood: though the poem takes its name from this Looney Tunes short:



it probably betrays the influence of this Daffy Duck cartoon as well:

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